Evolution #2

Another largish (36″X36″) painting begun.  The earlier Evolution of a Painting sequence was my first time to do that type of set-by-step documentation of a piece, and I found it to be fun and quite helpful, so here begins another. What seems to be happening here is one of those “finding order” processes.  The first step was to create a basically chaotic surface on which to work, find or create some images, then find or create some order within that chaos. It is still early in the process, so I haven’t settled on anything as yet, just enjoying the excitement of the exploration.

            


MindScape 9

MindScape 9

12″X12″  •  acrylic on canvas

MindScape9

(check out the entire series)


Blue on Grey

Fabulous abstract painting or photo taken while waiting in a parking lot?


Frank Herbert Quote

I listen to audio books when I drive, and last week I was listening to DUNE by Frank Herbert, and heard this:

“There is in all things a pattern that is part of our universe.  It has symmetry, elegance, and grace.  Those qualities you find always in that which the true artist captures. You can find it in the turning of the seasons, in the way sand trails along a ridge, in the branch clusters of the creosote bush or the patterns of its leaves.  We try to copy these patterns in our lives and our society, seeking the rhythms, the dances, the forms that comfort. ”

I pulled over and copied it down, and have been thinking about it ever since.  It puts into words what I have come to realize  is the content of my work, what I am constantly attempting to express.  My work (and my life, for that matter) is a  continuous search for order, for the underlying patterns of life.

Years ago a good friend and I discussed frequently a mutual “problem” we had…….disorganization. We were constantly coming up with new strategies for getting organized, for getting everything in our lives under control by discovering the perfect plan and structure for our lives.  And the joke at the end of each of these discussions was that if we ever accomplished this goal it would probably mean the end of life……why go on once one’s goal was fully realized. What was there to strive for beyond perfection? So it was lucky that our goals had not been reached, as we felt that we each had a lot of living to do.

The Herbert quote goes on:

“Yet it is possible to see peril in the finding of ultimate perfection.  It is clear that the ultimate pattern contains its own fixity.  In such perfection, all things move toward death.”

My understanding of the full implications of the final part of the quote will require a great deal more consideration.

 


Evening Shadows

EVENING SHADOWS

30″X40″ acrylic/colored pencil on canvas

sold

The progress of this piece is documented on Paintings page EVOLUTION OF A PAINTING.


Sky Painting

This is an unretouched photo taken through the windshield as we drove through Wisconsin.


Wednesday composition

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Rainy morning composition

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The Tyranny of Success

In an earlier post, a listing of Demons that plague all artists, I mentioned success as a frequent stumbling block.  On the surface it seems strange to consider success to be a potential issue, but there are two particular aspects of success that can cause problems.

1. Falling in love with a part of your painting early on in the process.  The danger is that the dynamic of the painting process can change from the successful completion of the piece as a whole to protecting that fabulous part of the piece. The first thing you need to do is be aware of this possibility so you can recognize when it is happening. Secondly, take a photo of that section so that you can  store it for future consideration, thus freeing yourself from the fear of losing it.  Then continue to work on the piece as a whole, retaining that section or not, as the painting requires.  Take the time later to study the photograph to determine what it is that you liked so much about it and hopefully the answers to that question will become stored in the right side of your brain and come through again…….in an entire painting.

2. Winning an award/getting into a prestigious show/words of praise from someone you respect….. potential stumbling blocks if this leads you  to limit your work to repeating the same “successful” pieces. I am not referring to working in series and exploring different aspects of a particular idea, I’m talking about becoming tied to what you perceive to be a successful “formula” and hesitating  to step outside that proven formula for fear of not being successful.

“Success is dangerous.  One begins to copy oneself, and to copy oneself is more dangerous than to copy others.  It leads to sterility.”  Pablo Picasso

“Don’t carpet your rut.”  Gerald Brommer


Evolution of a painting

Yesterday was a day of uninterrupted studio time, and I was able to work on this piece…..a 30″X40″ acrylic/colored pencil painting. I have been documenting (loosely) the evolution of this piece on one of my “PAINTINGS” pages.  This is a “follow the painting” painting.  I begin with a general idea, and then keep adding, subtracting, adjusting. My initial idea is now only a memory, as the painting has led me in a different direction.  This is the exciting part of the process…..I really don’t know what the final result will be, or when it will be completed. (Hopefully before the show I am preparing it for, which is in November)

This is where I stopped yesterday (it was time to relax by the river and enjoy a glass of wine.)